The Royal Opera House has put together a production of the three one-act operas as Puccini wanted them to be presented, in this order one after the other. Tune in from 7pm BST on 5 June! As Sister Angelica, Ermonela Jaho delivers the best performance across the entire evening. We can appreciate the sense of distress or claustrophobia that each feels, where the longing for escape can be as strong as either the physical or psychological barriers that prevent it. Il trittico | 25 February – 15 March 2016 | Royal Opera House, Covent Garden, Puccini's Il Trittico : The Rule of Three, Il trittico at the Royal Opera House, Covent Garden, Pelléas et Mélisande - Rouen Opera house (2021), Turandot - Salzburg Easter Festival (2021), Sonya Yoncheva in Berlin - Met Stars Live in Concert (2020), Götterdämmerung - Gran Teatre del Liceu (2016), I Capuleti e i Montecchi - Gran Teatre del Liceu (2016), Die Zauberflöte - Gran Teatre del Liceu (2016), You are a professional? This is The Royal Opera’s first complete presentation of Puccini’s Il trittico since 1965. Set in Paris, Il tabarro tells the story of barge owner Michele and his wife Giorgetta. (She was a late substitute for an “indisposed” Anja Harteros.). Set near Sienna, Suor Angelica tells of a nun who joined a convent after bringing disgrace upon her wealthy family by having a child out of wedlock. Leading director Richard Jones staged his witty, darkly comic realization of Gianni Schicchi for The Royal Opera in 2007, and here he completes the trio. This creates a poignant backdrop against which we can start to understand the individual characters. At the same time, the introduction of human details such as passers-by and workers in the factories means that we avoid any exaggerated vision of hell, and instead believe that the protagonists really could live in this grim reality. The director Richard Jones is on home territory with the zany comedy Gianni Schicchi – revived here in its 2007 staging – and though Antonio Pappano’s conducting is heavy-handed and Lucio Gallo isn’t nearly as funny in the title-role as his predecessors Bryn Terfel and Thomas Allen, the show is a witty delight. Ask for the credentials to edit or create your data. The wills and moods of the large, and mostly greedy, cast are played out through dancing and choreographed finger wagging that keep the humour bubbling at the surface throughout. Il Trittico Royal Opera House review Show 0 comments 1 /1 Il Trittico: Revival directors have done an excellent job Il Trittico: Revival … Schicchi, however, has an axe to grind because the Donatis refuse to allow their Rinuccio to marry his daughter Lauretta because he cannot afford the dowry. I think it's been an omission: it's a set of works that makes for one of the best evenings of drama you can get in an opera house, and Pappano, Jones and the large The Albanian soprano Ermonela Jaho is touching but not devastating at this point, and although she sings very prettily, she hasn’t got quite enough voice to ride the more heavily orchestrated passages. A fabulously enjoyable evening of Puccini Il Trittico marks the start of the new Royal Opera House season. The only gap in it is an alleyway that leads to what appears to be a house of ill repute, suggesting that this hardly presents a means of escape. The Royal Opera’s current production of Il trittico arrived in 2011, although the final opera, Gianni Schicchi, had already appeared twice in 2007 and 2009 when it was paired with Maurice Ravel’s L’heure espagnole. It is also noticeable how complicit the nuns seem to be with The Princess’s demands. Miriam Buether’s set takes us to the convent’s infirmary, a Spartan area with pastel green walls, where the sisters tend to sick children. The presence of bedridden sick children on stage intensifies the atmosphere of mawkishness, but Jones drops Angelica’s final redemptive vision of her dead son under the Virgin Mary’s protection – instead she simply fixes her deluded gaze on one of the little lads she’s been attending. No less affecting is the scene in which The Princess and Angelica meet. But it falls short of the total triumph I’d hoped for. There is an effective cool, haughty detachment to Anna Larsson’s tones as The Princess, while as the Abbess Irina Mishura’s voice has great resonance. Puccini's Il trittico, The Royal Opera This site uses cookies to improve your experience and to help show ads that are more relevant to your interests. Giacomo Puccini’s Il trittico, which premiered in 1918, is a triptych of one-act operas that were always designed to be performed together. The production was revived in 2012 and here he completes the trio with two new productions of Il Tabarro and Suor Angelica. He therefore promises to help the Donatis by disguising himself as Buoso (whose death is not yet common knowledge) and dictating a new will. But Jones’s handle on the novelettish naturalism of Il tabarro and the sticky Catholic sentimentalism of Suor Angelica is less sure. Feel something new at the Royal Opera House, Covent Garden. In it, however, he leaves Buoso’s desired house, mule and mills to himself, and the family cannot say anything because they were complicit in faking a will, the punishments for which are very severe. Luigi finds himself unable to leave Giorgetta, and arranges to visit her that night when she lights a match. As Angelica faints on hearing of her son’s death, they lift and revive her with the clear intention of getting the signature out of her. Opéra : notre avis sur le Blu-ray Il Trittico (Royal Opera House - 2011) de Giacomo Puccini avec Lucio Gallo - Boutique en ligne, achat sécurisé En HD, et anglais stéréo PCM, sous-titré en français, allemand, espagnol et What fun, what flair! As the title suggests, Puccini’s Il trittico is three operas in one evening, the tragic, the sentimental and the comic. Lucio Gallo excels as Gianni Schicchi, as we witness an intelligent and mischievous brain going into overdrive, and the image of him dragging back in the stolen bust of Dante while the lovers finish their duet is hilarious. 1.1K1.1K Each opera has a different set designer, although paradoxically this highlights as many synergies as it does contrasts between them. In Il tabarro Nicola Luisotti’s conducting lacks a little of the sharpness that is paradoxically required to capture the intriguing nature of the score, although his style is seen to much better effect in the other two operas. In Gianni Schicchi we have the beginnings of Puccini, the expert in heart-rending jolly good tunes. It says more about the other two operas that Gianni Schicchi, which still concerns death, greed and deceit, should provide the evening’s light relief. It tells of the death of the rich Buoso Donati. Il Trittico Royal Opera House お値段 27643 ¥ 伝える プリント Tweet! Suor Angelica involves a large cast of nuns and, with several of the principals drawn from the Royal Opera chorus, there are a multitude of very strong performances. 2 IL TRITTICO The Royal Opera, 2012, streaming from June 5 Puccini’s Il trittico, a collection of three one-act operas is conducted by Antonio … Where have you been all these years? Il Trittico hasn't been staged in full at Covent Garden since 1965. Anna Larsson is miscast both vocally and dramatically as Angelica’s old bag of an aunt, but I enjoyed much of the cameo playing, notably Anna Devin as the ebullient Sister Genovieffa. What's more, it's shockingly original. Paolo Fanale is an accomplished Rinuccio, Susanna Hurrell gives a beautiful performance of the iconic aria ‘O mio babbino caro’, while Gwynne Howell’s Simone, Elena Zilio’s Zito and Rebecca Evans’s Nella also stand out. Il trittico, Royal Opera House, London
Ivana Gavric/Aurora Orchestra, Kings Place, London
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